zoom akai professional mpc studio slimline

A better workflow for sample capture/chop/edit – yes, remember sampling? The MPC hasn’t forgotten.ģ. This is a very small world, indeed, when it comes to MIDI engineering.)ġ. (Trivia: Akai’s Pete Goodliffe was responsible years ago for the early iOS MIDI library PGMidi. And so the folks working on that software got in touch with CDM to tell us more about it, in some detail. The 1.8 update released today actually does quite a lot. But you’d be wrong – and that’s a good thing, too. You’d be forgiven for assuming that something called “1.8” wasn’t terribly big news. That makes any software updates a big deal. Native Instruments’ rival Maschine got to the software game first, but now it’s a question of how the MPC can again set itself apart. So, workflow is vitally important.Īnd MPC users who cut their teeth on Akai’s dedicated hardware have been waiting to see the software/controller combination really come into its own. But to die-hard MPC users, “MPC” means a way of working. “MPC” these days is a name on a lot of Akai stuff, down to even various MIDI controllers that happen to have pads. No, no standalone MPC hardware at the moment, but 1.8’s software features might help you forget that. Akai artist Needlz set up this MPC+computer rig with Renaissance … in a hotel room ( to get out of the house).

Zoom akai professional mpc studio slimline